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Geweerstories Piet Vra Ouers The Making of Doc Meulemans    

 

Piet Vra Ouers
deur Willem Steenkamp


"Hokaai, ou siel," sê Piet Bredenberg aan sy blouskimmel. Die perd gaan staan, en vir 'n oomblik of twee is daar 'n wonderlike stilte wat slegs versteur word deur die welbekende ou veldklankies en 'n onheilspellende dreuning hier agter sy lyfband se gespe.

"Bliksem!" brom Piet. Dit lyk of die Bredenbergs se spook wil loop, en hierdie is nie 'n geleë tyd vir so 'n gewandel nie. Die Bredenbergs se spook is welbekend in die hele distrik; "trou jy met 'n Bredenberg," vertel die mense, "dan trou jy met 'n maag." Die Bredenbergs is mense van formaat: Sterk, dapper en taai. Maar (soos die skoolmeester eenkeer op kenmerkende humoristiese dog geleerde manier gesê het), elkeen het sy Achilles-pens.

Feit van die saak is, 'n Bredenberg kan jy omtrent nie doodkry of onderkry nie, maar elkeen het 'n beteuterdheid met sy ingewandes. Die een wil sterwe as hy appelkose eet, die ander vergaan van die sooibrand al drink hy net water, en nog 'n ander se maag wil werk as hy kwaai, bang, angstig of andersins ontstig is. Die Bredenbergs aanvaar hulle lot, want hulle is nie mense wat kla nie; maar soms (soos nou) is dit verdomp ongelee.

Piet is ongelukkig een van die maagwerk-Bredenbergs. Dit is waarom hy nou hier sit en swets. Hy is gestewel en gespoor om te gaan ouers vra, en agter sy lyfband kruip sy verraaier van 'n maag gemaklik weg en wag op 'n gelee oomblik om sy baas in die verleentheid te bring. En dan is dit nog oom Kierie Koekemoer, wat waarskynlik die ontstuimigste man in die hele Suid-Afrika is, wat om sy enigste dogter se hand gevra moet word!

Hy is 'n mooi kêrel, die Piet Bredenberg, met 'n liggaam waaraan die klere hang asof dit vir hom pasgemaak is, en ligblou oë wat sy goedheid van hart laat uitstraal, en hy en sy pa het 'n flukse boerdery en redelik geld in die bank vir die droogtejare. Net reg, sou mens sê, vir die lieflike klein Miems Koekemoer met haar groot bruin oë en gitswart hare, laatlammetjie van oom Kierie en sy vaal ou vroutjie, Tant Els, wat met elke jaar wat verbygaan meer na 'n rotsmuisie lyk en klink.

Die vlieg in die salf is natuurlik niemand anders nie as oom Kierie. Oom Kierie het 'n spul groot, kwaai seuns grootgemaak - soos hy altyd gesê het, het hy op elkeen vyf sambokke uitgeslyt net om hulle soos mense te laat lyk - en nou bly daar net Miems op die plaas oor. Vir haar koester oom Kierie groot ambisies.

Presies wat hierdie ambisies is, weet niemand nie, en Piet het al dikwels met die gedagte gespeel dat oom Kierie self nie weet nie. Maar hy koester hulle, en gevolglik word enige mansmens onder die ouderdom van sestig wat op Bloedfontein gaan kuier, nie baie hartlik verwelkom nie, en soms baie minder hartlik as ander, afhangende van oom Kierie se bui. Selfs die dominee is al traag om besoek af te lê ("ek kry aaneen die gevoel," het hy na een besoek aan sy vrou gesê, "dat Kierie dalk ingedagte my vel sal afstroop en uitspalk terwyl hy vir 'n regte boosdoener sit en wag").

Die gevolg van hierdie situasie is dat Miems op negentienjarige leeftyd nog nie veel in die rigting van romanse geniet het nie, behalwe in die geval van Piet, wat soos 'n tipiese Bredenberg taai en doelgerig is as hy hy eers 'n besluit geneem het. Hulle verhouding is bevorder deur middel van 'n nagmaal hier en 'n begrafnis of bruilof daar, om nie te praat van heimlike boodskappies wat aangedra is deur oom Kierie se voorman, Abel Jagers, nie. Abel Jagers (alombekend as "Abel Dopoog" om hom te onderskei van sy neef Abel Jagers, wat op sy beurt weer alombekend staan as "Abel Knak", omdat hy 'n krom rug het, om hom van Abel Dopoog te onderskei), is Miems se vertroueling en gewillige slaaf. Kort-kort gaan kuier Piet ook op Bloedfontein, wat oom Kierie natuurlik al erg tot agterdog verwek het.

En nou het die groot oomblik aangebreek. Toe Piet vanoggend sy voornemens met sy pa bespreek, sê diè (wat soos die skoolmeester ook 'n humoris is, hoewel nie so geleerd nie): "Dalk moet ek gou 'n kommando bymekaar kry om jou by te staan, of hoe?"

"Nee, oom Kierie skiet te goed," sê Piet afgetrokke, en gewaar toe eers sy ouer se ligsinnigheid. "Magtig, pa, hierdie is nie 'n grap nie!"

"Ou seun, dis nie eens 'n grap om vir Kierie te groet nie," se sy pa. "Gelukkig is hy nie meer so kwaai as wat hy in sy jongdae was nie."

"Nee," sê Piet mistroostig, "deesdae is dit maar elke twee weke wat hy op die oorlogspad gaan."

* * * * *

Piet sluit sy oë en probeer om te ontspan. Na 'n ruk gaan lê die spook, en Piet vat weer pad Bloedfontein-toe. Uiteindelik kom hy op 'n rug uit en daar lê Bloedfontein se opstal onderkant hom: Huis en skure, waenhuis, vrugteboorde, dammetjie en al. Alles is netjies, want oom Kierie duld nie 'n morsige werf nie; al struktuur wat nie lyk of die Eerste Minister môre kom kuier nie, is die kleinhuisie, wat soos gebruiklik binne 'n geleë afstand van die woonhuis staan.

As gevolg van sy familiekwaal het Piet 'n sekere tegniese belangstelling in gemakshuise, en hy kon nog nooit verstaan het waarom oom Kierie so min aandag aan hierdie beskeie dog belangrike deel van sy opstal bestee nie. Die affere is skoon en welriekend genoeg, in soverre 'n kleinhuisie welriekend kan wees, maar hy het jare laas verf geproe en sy planke het al van mekaar af begin wegtrek. Hy het nie eens 'n ordentlik luik nie. Maar nou ja - vandag is daar nie tyd om aan sulke dinge te dink nie, besef Piet.

Piet ry nader en klim af. Die werf is onheilspellend stil, en dit beteken net een ding: Oom Kierie is op die oorlogspad. Piet bid gou vir kalmte en gee die perd aan Abel Dopoog oor. "Dit voel of die oubaas vandag nie te lekker is nie," se hy.

"Moorddadig," se Abel Dopoog, en sy oë dop nog verder uit hulle kaste uit, sodat Piet die indruk kry dat altwee sommer te eniger tyd heeltemal uit hy en Miems se ou bondgenoot se kop gaan uitspring en weghol berg se kant toe. "Moorddadig. Sommer van vroe'-oggend af. Hy lê nog in sy bed, toe maak hy keel skoon dat die voëls omtrent uit die vrugtebome uitval, en toe weet ek: Vandag gaat iemand se gat klap."

"En wat het gebeur?"

"Niks," se Abel Dopoog. "Niks. Hy't hier op die werf bietjie rondgetrap en toe op die stoep gaan sit, en netnou is hy binne-toe. Maar ek sê vir jou: Vandag gaat iemand se gat klap. As hy so stil is, sit en pomp hy homself op. Kyk maar."

"Abel," fluister Piet, "ek het kom ouers vra."

"O, Here," se Abel Dopoog eerbiedig, "dan's ons vandag almal dood."

Die spook ruk so 'n paar keer agter Piet se lyfband, soos 'n leeu wat in sy slaap 'n eetding geruik het. Piet bedwing die ongedierte, maar hy weet dat die inwendige stryd hoegenaamd nog lank nie verby is nie. Die ding is soos 'n skelm perd wat op loop sit sodra jy vergeet om die teuels styf te span.

"Nou ja," sê hy, "dan moet dit seker maar so wees."

"Kleinpiet," sê Abel Dopoog, wat hom al sy hele lewe lank ken, "jy weet nie wat jy sê nie."

"Ek weet wat ek sê," sê Piet, en stap huis se kant toe. "Maar ek weet nie of ek weet wat van my gaan word nie," mompel hy agterna.

* * * * *

"More, Piet," sê oom Kierie. Hy staan die voordeur vol, in die lengte sowel as die breedte. Piet let met verligting op dat oom Kierie redelik bedaard lyk, hoewel mens natuurlik nie weet wat agter sy groot swart baard aangaan nie. Sy oë lyk darem nie kwaaier as gewoonlik nie - "die oubaas," het Abel Dopoog eenkeer gesê, "bekyk jou altyd asof jy vir hom geld skuld") - dit wil sê net effens moorddadig, en soos gewoonlik klink dit of sy keel vol klippers is. Piet kry meteens bietjie hoop. Dalk is sy pa reg, en is oom Kierie se humeur effens aan die afkoel, aangesien hy nou al by die vyf-en-vyftig trek.

"More, oom Kierie," sê Piet. Sy regterhand verdwyn in oom Kierie s'n, wat omtrent so groot soos 'n skaapboud is. Hy groet en Piet trek haastig weer sy hand terug voordat oom Kierie in 'n oomblik van afgetrokkenheid sy arm van sy lyf afskeur en daarmee wegstap. "More, Tant Els. More, Miems." Tant Els piep 'n groetwoord en Miems glimlag dat Piet se hart bollemakiesie slaan, maar sê niks; sy het dadelik Piet se voornemens in sy oë gesien, en die oomblik is heeltemal te delikaat vir woorde.

"Ek gaan kyk net gou na die lyndraad teen Tierhoogte. Jy kan maar saamstap, as jy wil," se oom Kierie.

"Ja, met graagte, oom Kierie," sê Piet, in die wete dat daar twee uur se harde bergstap en bedekte dreigemente voorlê.

"En agterna eet jy sommer met ons," voeg oom Kierie by. Piet is dadelik bemoedig. Dalk is dit 'n goeie teken. En dalk nie, herinner hy homself. Oom Kierie is oom Kierie.

* * * * *

Sowat twee-en-'n-half uur later sit hulle aan tafel: Oom Kierie aan die koppenent van die voorhuistafel, Piet aan die voetenent en Miems and Tant Els na links en regs. In soverre dit moontlik is, voel Piet redelik gerus. Oom Kierie het tydens die bergstap nie een duidelike dreigement laat val nie, hoewel hy redelik uitgevaar het teenoor sy mede-ouderlinge, met wie hy tans in 'n lelike woordestryd gewikkel is omdat hy die een se bees geskiet het nadat die onbesonne dier dit gewaag het om deur 'n stukkende lyndraad te glip en op Bloedfontein-grond te wei.

Oom Kierie se siening van die saak is dat sy kollega van die manelgeselskap self die bees ingejaag het om op hom te teer; oom Kierie het baie sterk gevoelens teen so 'n teerdery.

Maar oom Kierie se tafelgebed gee die eerste aanduidings van die werklike stand van sake.

"Segen Vader," begin hy met 'n stem wat feitlik barste in die brandsolder se klei laat oopspring. Vir Piet is dit duidelik dat Oom Kierie vandag 'n baie gewigtige saak het om met die Here te bespreek.

Eers lyk dit of Piet egter verkeerd is, want op 'n effens meer gedempte toon, gaan oom Kierie voort met die gebed. Toe hy klaar is, maak 'n verligte Piet maak sy mond oop om soos gebruiklik "amen" te sê. Maar net betyds besef hy dat dit maar net oom Kierie se eerste sarsie gewees het.

"O Here," sê oom Kierie, "dis 'n swaar las om 'n mooi dogter te hê. Mens wil net die beste vir haar in die lewe bewerkstellig, maar dis asof jy om haar laer moet trek, soos die pioniere van ouds, want elke stuk vuilgoed in die omtrek van honderd myl kom lê gedurig op jou werf rond soos 'n bleddie jakkals wat jou hoenders wil opvreet, en wag om hulle hande op jou onskuldige dogter te kry en met haar te trou, sodat hulle dan op jou kan kom teer, plaas van om vanself te werk."

Oom Kierie skep asem. Piet-hulle trek as't ware hulle koppe in; hulle besef al te goed dat die ergste nog kom.

"En die verdomde Engelse en hanskakies wat ons geld in die Parlement sit en mors, laat mens nie eens meer toe om sulke uitvaagsels met jou sambok in te klim nie, want as jy so maak, loop tjank hulle by die magistraat, en as jy jou weer kom kry, staan jy voor die koort soos 'n bleddie rampokker, en tien teen een is die magistraat nie tevrede om die geld uit jou sak te steel nie, hy smyt jou sommer in die tronk met al die moordenaars en skaapdiewe en bandiete om jou lewe daar weg te slyt terwyl jou vrou en kinders honger ly."

Teen die tyd is Oom Kierie alweer besig om die brandsoldier te beskadig. "En dan," bulder hy, "as jy die dag bleek en uitgeteer daar uitstap en in jou kerk gaan troos soek, dan sê die ander ouderlinge vir jou dat 'n tronkvoel soos jy nie meer in hulle geledere welkom is nie, o Here, want oor die algemeen is hulle nie christene nie, maar 'n klomp leeglêers en farisieers en huigelaars wat net ouderling wil wees om kans te kry om op Sondae soos Magog in hulle manelpakke daar te sit en `amen!' te skreeu."

Oom Kierie maak keel skoon soos 'n gelaaide wa wat oor gruis sukkel; in die donkerte hoor Piet (wat te bang is om sy oë selfs op 'n skrefie oop te maak) hoe snik Tant Els.

"Maar ek weet U sal my vergewe," gaan Oom Kierie voort, "as ek die dag gedwing word om een of twee van hierdie hoerkinders - ek praat nou van die vuilgoed wat agter my liewe Miems aan is, nie van my mede-ouderlinge nie, want hulle is darem nie hoerkinders nie, anders sou dominee hulle nie in die ouderlingsbank geduld het nie, hoewel ek eerder met 'n klomp hoerkinders daar sal sit as daardie satansgespuis, om nou die waarheid te praat - nou ja, as ek gedwing word om op 'n dag een van die hierdie rondlopers te slaat dat hulle nerwe waai. AMEN!" En met hierdie afsluiting slaan hy die tafel met sy vuis dat die melkbeker omval.

My doppie is geklink, dink Piet. Oom Kierie het sy saak met die Here reggemaak, en as ek vandag met 'n troustorie kom, dan waai die nerwe - my nerwe.

"Wat sit jy so toe-oë, jong?" brom Oom Kierie. "Het jy nie gehoor ek sê `amen' nie?"

Piet maak haastig sy oë oop. Eenkant sit Tant Els met haar voorskoot se pant voor haar oë, en anderkant is Miems, bleek van die skok, want hierdie uitbarsting is straf, selfs vir oom Kierie. "Ja, oom," se hy haastig. "Ek het gehoor, oom. Ek het maar net bietjie sit en dink oor oom se woorde van wysheid, oom."

"Ek het nie met jou gepraat nie, jong," sê oom Kierie, wat hom nou behoorlik in 'n bakleibui in opgewen het. "Wat 'n man met die Here bespreek is sy saak, behalwe as hy kerk hou."

"Nee, dis so, oom," babbel Piet. "Maar soms hoor mens per ongeluk 'n ander mens se gesprek, en as daar woorde van wysheid gesê is, dan is dit vir mens ook stof tot nadenke."

"Hrm," se oom Kierie, en tas in Piet se verduideliking rond soos 'n polisieman wat 'n skelm se sakke visenteer, om te sien of hy nie darem een steentjie des aanstoots kan vind nie. Maar sy visentering lewer niks op nie, en dit maak hom van vooraf onstuimig. "Hrm," sê hy weer, en vir Piet in sy ontsteltenis klink dit soos die gegrom van onweer. "Nou ja, kom sit op die stoep en drink bietjie koffie voor jy die pad vat." Ghwarr! kners die pote van sy stoel op die vloer.

"Ja, oom, dankie, oom," se Piet haastig.

"Nou toe, Els!" blaf oom Kierie. Met nog 'n rotsmuispiep draf Tant Els kombuis se kant toe, met Miems kort op haar hakke.

Binne enkele oomblikke sit hulle op die stoep. Binne nog 'n paar oomblikke verskyn Tant Els met die koffie. Die koffie is donkerder as die Duiwel se oë en daar is nie melk of suiker op die skinkbord nie; oom Kierie sê jy kan nie 'n man vertrou wat sy koffie met melk en suiker bemors nie. Piet sluk manhaftig, en offer 'n heimlike gebed op dat die bitsige vog die spook agter sy lyfband - wat alweer tekens van lewe begin toon - sal doodbrand of ten minste bedwelm.

Oom Kierie steek sy pyp op. "Party mense," se hy, "is pure bekvegters. Hulle raas en dreig en gaan te kere, maar hulle is soos 'n windbuks sonder 'n koeël."

"Dis net so, oom Kierie," se Piet, en knik om sy nek te breek.

"Maar dis nie my manier nie," se oom Kierie. "Ek is 'n man van my woord. As ek 'n belofte maak, kom ek hom na. Vra maar vir enigeen van die windlawaaie in hierdie wereld. Kierie Koekemoer is nie net 'n man van woorde nie, maar ook van dade."

"Dis soos ek vir oom ken," beaam Piet.

"Wat weet jy? Jy's nog 'n stront kind. Ek sit hier oud en afgeleef!" Hy mik op Piet met sy pypsteel, wat soos 'n strooitjie tussen sy yslike vingers kop uitsteek. "Maar vra bietjie vir jou pa hoe ek in my jongdae was, toe ek nog murg in my pype gehad het."

"Hy't my al baie stories oor oom vertel, oom," se Piet, wat niks minder as die waarheid praat nie. Piet se hele familie het grootgeword op stories oor die dae toe oom Kierie nie net 'n verskrikking was soos huidiglik nie, maar 'n groter katastrofe as die rinderpes. Meteens grom Piet se spook kliphard, en ruk so 'n paar keer. Ai, dink hy, tog nie nou nie!

"Party is seker nie heeltemal reg nie," oordonder oom Kierie Piet se sarsies maagmusiek, "want dit is mos maar hoe dit met 'n oorvertelling gaan. Maar oor die algemeen kan jy hulle maar glo."

Piet se maagspook laat weer van hom hoor, en sy boodskap is duidelik. Oom Kierie se tafelgebed het sy sluimer versteur; hy's wakker en hy wil wandel. Piet sug mismoedig; die pynlike ondervinding het hom geleer dat as die spook lus het om te wandel, moet hy draf, of hy kom 'n skande oor.

"Oom, verskoon my tog net, maar ek moet gou 'n draai loop," se hy.

"Ek hoor hoe raas jou binnegoed," se oom Kierie. "Julle Bredenbergs het mos nog altyd 'n maag gehad. In die oorlog het jou pa se maag een slag so geraas toe ons twee in 'n hinderlaag lê dat ek bang was die kakies hoor ons voor hulle behoorlik onder skoot is. Ek moes hulle toe maar almal plat trek, behalwe twee wat gehensop het, en ek wou hulle ook sommer bokveld-toe stuur, want as 'n mens met my kom neuk dan moet hy sy medisyne soos 'n man afsluk en nie kla as die smaak bitter is nie."

Hy blaas 'n rookwolk uit. "Maar jou pa gaan toe waaragtig aan die pleit vir hulle soos wafferse advokaat, en terwyl hy staan en soebat, brul sy maag so gevaarlik dat ek die ellendige goed toe maar gespaar het voor hy sy broek volmaak." Hy skud sy kop, nog steeds na al die jare verstom deur Piet se pa se liberale denkwyses.

"So is my pa," se Piet.

"Nie 'n slegte mens nie," gee oom Kierie toe, "net half papgat wat rooinekke en dergelike vuilgoed betref ... Maar soos ek nou-nou gesê het, dit was eerder jou pa se maag as sy stem wat dourie twee jingo's gered het. Maar dit het hulle nie geweet nie, en daar staan hulle toe snot en trane en bedank hom, en jy kan skaars hulle stemme hoor want sy maag maak so 'n lawaai, ha ha ha," en oom Kierie blaf soos 'n dol hond wat nou pas 'n onskuldige bystaander se derms uitgeryg het.

"Ja, oom," se Piet, wat teen die tyd gewikkel is in 'n ernstige dwangstryd met sy eie derms. "Errr, oom - "

"Ja, ja," sê oom Kierie. "Weg is jy, voor jy 'n ding oorkom. Jy't nog 'n lang pad voor." In die werklikheid het Piet natuurlik nie 'n lang pad voor nie, maar selfs in sy angs besef hy wat die opmerking beteken: Dis die trekpas hierdie, en vat hy hom nie, dan is dit sambok en nerwe se tyd. Maar eerste dinge moet eerste kom.

Piet laat wag nie op hom in die reis kleinhuisie-toe nie; die spook is nou baie kordaat en verg onmiddelike optrede. Hy ruk die plankdeur oop en maak hom reg vir wat voorlê. Sy lyfband het hy al padlangs losgemaak, en met een flink beweging laat val hy sy broek op sy skoene en swaai op sy hakke om om op die gebruiklike plek neer te daal.

Dit gedoen, trek die spook een van sy geliefkoosde strepe. Meteens is hy stil, en bult Piet se maag nie meer rond soos 'n sakvol onstigte groukatte nie. "Jou verdomde skelm," fluister Piet, maar gelyktydig is hy darem ook dankbaar. Dalk gaan lê die spook behoorlik as hy wat Piet is net bietjie kan ontspan en die verskrikking van die afgelope uur of drie agter die rug kan kry.

Piet maak hom reg om te ontspan. Hy trek sy skoene uit sodat hy sy broek netjies aan die deur kan ophang; dit sal darem help teen die kreukels, hoewel hy eintlik 'n wonderwerk nodig het, en nie net 'n broek sonder kreukels nie. Dit gedoen en skoene weer aan sy voete, sit hy agteroor met geslote oë in die halfskemerte van die kleinhuisie en dink aan groen lande en babbelende stroompies wat hy in daardie droë wereld nog nooit juis gesien het nie, maar darem al van gehoor het.

Die bekende ou walms kruip sy neusgate binne; die middagson is rooi anderkant sy ooglede waar dit tussen die kleinhuisie se krom ou planke deursyfer. Vrede, wonderlike vrede sluip stilletjies deur sy hele wese en salf met 'n sag hand die angs wat oom Kierie so brutaal opgeploeg het; hoewel hy 'n groot leser is, kry hy nie eens lus om die ongeskonde eksemplaar van die Huisgenoot wat links van hom aan 'n toutjie hang, deur te blaai nie.

Piet sit gesonke in hierdie salige vrede totdat hy 'n gekrap en 'n geseil gewaar wat nes 'n bewegende slang klink. 'n Slang! Piet se oë spring soos valdeure oop. Dit is beslis 'n slang: Om presies te wees, 'n pofadder wat hom in 'n sonnige hoek van die kleinhuisie tuisgemaak het, en nou heel duidelik beswaard is oor die feit dat 'n ongewenste mede-passasier tussen hom en sy sonstraal gekom het.

Piet het tot die einde van sy lewe daardie aaklige oomblik onthou.

"Dis nie dat ek normaalweg uitermatig bang sou gewees het nie," het hy altyd gesê. "Die Bredenbergs is nie bang mense nie, selfs nie as hulle nou so te sê van aangesig tot aangesig met 'n kapel is nie. Maar jy moet onthou dat my senuwees maar redelik ontstig was na my onlangse ondervinding met oom Kierie.

"Ek het darem nie heeltemal my kop verloor nie, en as daardie verdomde slang net half redelik gewees het, sou daar nie 'n probleem ontstaan het nie. Maar die dem ding wil van niks weet nie. Ek probeer baie versigtig eenkant-toe te skuif, met die voorneme om my broek in die hande kry en dan net so versigtig pad te gee, maar die slang ruk hom op en sê `Hoe's dit nou?' in sy eie taal. Ek kon hom mooi verstaan, hoewel ek nou nie juis die slangtaal kon praat nie. Maar party dinge is mos voor die hand liggend. Toe probeer ek anderkant-toe skuif, maar hiervan wil hy ook niks weet nie, en hy ruk hom weer op en sê: `Hoe's dit nou?' En toe weet ek: Daardie slang is net so onredelik soos oom Kierie, en ek sit kaalhand en kaalbas, en hy sit kaaltand, net waar hy my die grootste skade kan aanrig."

En met daardie besef begewe alle moed en verstand hom. Sy tastende hand vind die Huisgenoot; met 'n benoude kreet ruk hy die tydskrif van die toutjie af en klap die slang daarmee. Feitlik gelyktydig bestorm hy die deur, loop hom skoon van sy wankelrige skarniere af, en laat vat soos die wind oor die werf, sonder om eens behoorlik van sy rigting kennis te neem. In die verte hoor hy hoe bulder oom Kierie en piep Tant Els; die volgende oomblik trap hy die voorkamer se deur ook los, sodat planke en skarniere in alle rigtings waai. Dan loop hy in iets vas, gryp daarna en tuimel op die vloer neer.

"Piet, Piet!" hoor hy 'n geliefde en bekende stem, en meteens verdwyn die wasem om hom, en besef hy waar hy homself bevind. Naamlik, in oom Kierie se voorkamer, bo-op 'n halfversmoorde Miems wat na asem hyg tussenin al die gepietery.

"O Miems, Miems!" se Piet. "Ai, moet tog nie dat ek jou seergemaak het nie!" Hy staan dadelik op en lig haar van die grond af. "Miems, ek kan jou nie sê- "

"Vuilgoed! Stront! Verkragter!" Die wasem is mos weg, dus is oom Kierie se stem al te duidelik, en die brandsolder kry al weer skade.

"Oom - " begin Piet. En besef dat sy broek en onderbroek nog steeds agter die kleinhuisie se deur hang.

"Jy's dood, seun!" sis oom Kierie, en dis nog meer vreesaanjaend as sy gebulder. "Morsdood, hoor jy my? Els! Waar's my Martini!"

"Oom, ek het nie!" maak Piet beswaar. "My broek - die slang - daar was 'n slang in die kakhuis - ek bedoel die bakhuis - "

"Jy't jou skoene aan!" se ook Kierie, wat mos alles raaksien. "So werk 'n verkragter mos!" Klak-klak! val die Martini se slot oop. Klink-klink! maak die patroon se dop in die loopkamer. KlakM¯! klap oom Kierie die slot toe.

"Ek het my broek agter die deur opgehang sodat hy nie kreukels kry nie," verduidelik Piet, en dink: Dis darem nou gevleuelde woorde om die ewigheid mee in te gaan.

"Jy gaan meer as 'n kreukel by my kry!" se oom Kierie en begin om aan te lê.

En toe gebeur daar iets wat nog vermeende verkragter nog voorgenome wraaknemer verwag het. 'n Klein lyfie gaan staan voor Piet.

"As pa vir Piet wil skiet, moet die koeël deur my boor," se Miems. Dit is natuurlik nie heeltemal korrek nie, aangesien Miems minstens 'n voet korter as Piet is, en oom Kierie maklik sy harsings kan uitblaas sonder om aan 'n haar op Miems se kop te raak. Maar watter plek het logika in so 'n situasie?

Oom Kierie laat sak die Martini. "Waar's jou trots, meisiekind?" vra hy met 'n prewelstem wat mens so min uit daardie reuse borskas sou verwag het as (soos Piet in latere jare gesê het) 'n ouderling wat kitaarspeel in 'n hoerhuis.

"My trots is in my hart, en daar sal hy bly!" se Miems, en oom Kierie bejeën haar met 'n nuwe respek. Dis mos net wat hy sou gesê het.

"Maar - " sê hy, so saggies dat mens dit skaars anderkant die werf sou kon gehoor het.

"Ek en Piet sal moet trou," se Miems.

"Wat?" se oom Kierie, en die brandsoldier kry opnuut skade. "Jy? Trou met hierdie vuil gemors wat kaalgat my huis se deur flenters loop om jou soos 'n jagse hoenderhaan te bespring?"

"Hy't my onteer," se Miems. "Ek het hom in sy naaktheid gesien, en hy het my teen sy kaal liggaam vasgedruk. As ons nie trou nie, dan sal pa hom by die magistraat moet aangee, en dan moet ek alles in die koort loop vertel."

Oom Kierie word bleek. In daardie wêreld is mense se sondes gewoonlik maar klein - dis gewoonlik maar hier 'n dronknes en daar 'n gesteelde skaap, en dalk so 'n ligte aanrandinkie of twee. 'n Verkragtingsaak sal die mense soos vlieë trek. As Piet die dag verhoor word, sal elke lewende siel in die distrik in die hof kom sit en luister, en daarna vir seker twintig jaar die verrigtinge woord vir woord oorvertel, met ekstra aanpakseltjies by elke vertelling.

Dis 'n lelike vooruitsig vir 'n man met soveel vyande as hy, wat hulle in sy verleentheid sal verlustig. Dalk (oom Kierie sidder) dalk gee hulle hom sommer ook 'n nuwe bynaam, soos die gebruik in daardie wereld is, iets soos "Kierie Kleinhuisie", wat al die geslagte van sy familie sal erf tot in die ewigheid, sodat die skande nooit deur die vergetelheid uitgevee sal word nie.

"En as pa vir Piet doodskiet," voeg Miems vinnig by, "dan sal die dieners vir pa arresteer en verhoor, en dan sal ek in elk geval die hele storie in die koort moet uitlap."

Oom Kierie staan stokstil - stiller, soos Piet dit later vertel het, as oorlede Lot se vrou. En toe sak die Martini se blink oog. "Jy's skelm, Miems," se hy. "So skelm soos die houtjie van die galg. Jy aard na jou ma se familie. Hulle't daardie einste koelbloedige skelmheid."

Vir 'n oomblik talm hy, Martini onder die arm terwyl hy vir Piet met daardie skuldeiser se oë roskam. Piet voel hoe die koue sweet hom aftap. En toe besef hy: Oom Kierie weet nie wat hy moet doen nie!

Maar oom Kierie se rare oomblik van besluitloosheid duur nie lank nie. "Nou ja!" blaf hy. Hy tree na vore, en een skaapboudhand kom uit. Agter hom is daar 'n dowwe gepiep van Tant Els, wat nou met haar voorskoot heel oor haar kop in 'n hoek staan, en Piet deins terug. Maar dit is te laat, en die skaapboudhand omvou syne. Hulle sal my seker "Kruppel Piet" bynaam gee, dink hy afgetrokke, maar Miems sal darem nie omgee as haar man net een ordentlike hand het nie.

Half tot sy verbasing het oom Kierie ander bedoelings as moord en doodslag. Hy skud blad totdat dit vir Piet voel of sy arm uit sy potjie gaan spring.

"Dan moet ek maar seker se `Welkom in die familie'," se oom Kierie. "Ek sal liewer dat 'n Bredenberg op my teer as party ander wat ek kan opnoem, die donders."

"Dankie, oom Kierie ... pa," stotter Piet.

"Maar eers wil ek twee dinge van jou hê en luister nou bleddie goed," se oom Kierie, wat alweer onheilspellende tekens van opgewondenheid begin toon.

"Ja, oom ... pa," se Piet.

"Een. Jy moet belowe dat as ek en jy ooit 'n klomp kakies onder skoot kry, jy nie vir die hensoppers se lewens gaan soebat nie, soos jou pa die dag gedoen het. Dis onwaarskynlik, noudat ons vrede gemaak het met die bliksems, maar 'n man moet weet waar hy met sy skoonseun staan."

"Dis goed so, oom ... pa," se Piet onmiddellik. "Nie 'n woord nie. Stiller as die graf." Ek en Miems sal maar land-uit moet vlug as ons ooit weer met die Engelse baklei, besluit hy. Oom Kierie sal ons darem seker nie in Amerika of Madagaskar kom soek nie.

"Twee - "

"Oom ... pa ... ek sal altyd vir haar sorg. Alles wat ek het, is Miems s'n."

"Hou jou bek!" bulder oom Kierie, sodat Abel Dopoog in die skuur agter 'n krip induik.

"Jammer, oom ... pa," se Piet. "Wat moet ek vir oom ... pa ... belowe?"

"Niks."

"Niks?"

"Niks. Ek wil hê jy moet iets vir my gaan doen."

"Enigiets, oom ... pa."

"Nou ja," sê oom Kierie, "gaan trek jou bleddie broek aan!"

 

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THE MAKING OF DOC MEULEMANS
By Willem Steenkamp

 Jack Hansen's proudest boast in the evening of his life, after he had married a widow and settled down to a respectable existence as a boarding-house keeper in Cape Town, was that he was the man who helped Doc Meulemans to become one of Namaqualand's most famous sons.

 "Ja," he used to say, "when I first knew him he was as poor as a church-mouse, sitting at Port Nolloth and trying to scratch a living by doctoring the people there. But they didn't want to go to him, you know; he was too young, and he didn't doctor them like the old doctor who was there before him, who used to start you off with two tablespoonsful of castor oil and then let you get better or die.  

"Doc Meulemans was always coming up with something new, and they didn't like that at all. So they used to doctor themselves as far as possible, and then, when they'd doctored themselves half into the grave, they'd go to him for the first time. So of course he lost a few of his patients, and that made them even surer that his new-fangled things didn't work, when all the time it was their own damned fault for not going to him in the first place. But that's the way they were down there in the old days. 

"One family distrusted Doc Meulemans so much that when one of them got a burst appendix, they tried to doctor him themselves, as usual, and when he looked as if he was dying they loaded him in a car and took him all the way to Springbok to the doctor there. The roads were pretty bad in those days and they had a couple of burst tyres along the way, and so he got to Springbok just in time to blow out his last breath. Well, they had to blame someone for that, so they blamed Doc Meulemans. 

"But then came the night of Klaas Bitterbos's leg, and from then on they couldn't stay away from him. And look at him now! He's got a big house in Cape Town, and he cuts open all the famous people, and they even asked him once to stand for Parliament. 

"But it hasn't gone to Doc Meulemans's head. He knows where he started and how he started, and that was the night I got involved with him and Klaas Bitterbos's leg." 

All this might well have been true (not about Doc Meulemans being one of Namaqualand's most famous sons, since everyone knows that) but about Jack Hansen being responsible for it, because Jack Hansen was one of those men who make  legends - as opposed to making them up - more or less as they go along.

 Jack was one of a kind, which was just as well; I don't think the North-West Cape could have taken the strain of two like him.  

Everything about him was massive. Since he was a bit of a dandy who always wore a well-tailored grey or white three-piece suit and snap-brim hat, depending on the season, you didn't always realise just how big he really was till he got fairly close up and you found yourself craning your neck to keep his face in sight. Then you saw that he was as tall and broad as a door, with feet the size of young coffins and enormous fists whose knuckles were decorated with scars picked up while fighting in pubs from Cape Town to Lourenco Marques.  

Where he got snap-brim hats in his size was always a bit of mystery, because his head was on the same scale as his body. Those hats were part of Jack's psychological-warfare plan, because they tended to hide his face, and Jack's face was the worst of his features if you happened to have a bad conscience about him for some reason or another; which was not all that difficult in those days, when every man and his wife seemed to be involved in the odd bit of illegal diamond buying and selling.  

It looked as if it had been chipped out of very hard granite with a very blunt chisel (this was so even before he'd picked up companions to his knuckle-scars), with two staring cold blue eyes and an enormous nose that stuck out like a battering ram from below a shaggy single eye-brow that ran east-to-west in an unbroken line except at one place where an unwary Portuguese had once attempted to lay Jack out with a bottle in Beira. 

"I heard something go `poof'," Jack used to say, leaning up against the counter in the pub at Port Nolloth and fingering the bare patch of scar tissue over his left eye, "and suddenly the bits of skin were standing up on my knuckles and the Portugoose's teeth were lying on the floor like pearls."  Since teeth tended to behave that way when Jack was around, no-one ever doubted the truth of the story.

 Jack had a massive thirst, too. Perhaps it was that Viking blood in the Hansens' veins; perhaps it was just that the North-West is a thirsty place that breeds thirsty men. Whatever the case, Jack used to go on the toot from time to time, and the results were always awful.  

The sequence of events was always the same. First Jack would down enough brandy to stun an ox and then he would go looking for a fight. "Looking for" is perhaps not the right way of putting it. In his cups Jack was like a stick of dynamite wired up to a trembler switch.  

One well-brandied afternoon in the Port Nolloth pub, for example, he demolished three copper miners on a fishing holiday from Okiep because one of them grinned at him. "You bastard, why're you laughing at a drunk man?" Jack roared and punched him across the room. The two other miners took umbrage at seeing their mate trashed like this and piled in, and then it was pearls-on-the-floor time again. There were bodies lying all over the place and half the glasses and bottles were broken by the time Port Nolloth's two policemen and about half a dozen volunteers had wrestled Jack to the floor so that he could be handcuffed and dragged off to the lock-up. 

Next morning, Jack being sober, they let him out on his own cognizances, and in due course he stood manfully in the dock at the Springbok magistrate's court and pleaded guilty to half a dozen charges. When the magistrate asked him if he had anything to say in mitigation Jack let loose with a five-minute speech full of biblical quotations that actually had a couple of women in the jam-packed public gallery (Jack had a large personal following, scallywag though he was) sniffling into their handkerchiefs.  

The result was that the magistrate gave him a hefty fine and a suspended sentence. Well, perhaps it was also a factor that the magistrate had a soft spot for Jack, who had once saved him from an uncomfortable night when his car broke down in the most godforsaken reaches of the Richtersfeld. In point of fact Jack had been returning from one of his murky IDB deals and had a lucrative "parcel" under the driver's seat of his car, but the magistrate, who was no fool, had felt reluctant about asking any searching questions, given the fact of Jack's lavish help and hospitality. 

Because this was an important thing about Jack. Considering what a bad hat he was, he had very few real enemies. In between his drinking bouts he was the saviour of the poor and distressed, and a man who was always ready to do someone a favour. 

I mention all this because it has a direct bearing on the story of how Jack helped young Doc Meulemans to become a famous man.  

At this time, it should be said, Doc Meulemans represented Port Nolloth's entire scientific community. He was a local boy, born and bred in Springbok, and he had just returned from Holland, where he had got his medical degree at Leyden University.  

He was a man of deceptive appearance. There was a sort of innocent choir-boy look about him, because he was short and plump and went pink in the sun, which didn't help him much in a part of the world where men tended to be tall, tanned an indelible brown and as lean as springbok biltong. To make it worse, his voice was a light tenor and because of his plumpness he hadn't yet acquired the sun-wrinkles that most Namaqualanders start cultivating at an early age.  

The result was that people didn't always understand that he was actually a fairly wily, very self-confident character who enjoyed a drink now and again and had a liking for the company of exotic characters like Jack Hansen and Tommy Cohen, who ran a small store and as a result frequently rubbed shoulders with practitioners of the illegal diamond business. Tommy admitted freely that not all his clients were honest crooks like Jack, which was why he always carried a table-fork in his jacket's handkerchief pocket in case he had to defend himself. 

At the time of Klaas Bitterbos's leg, however, Doc Meulemans was on his best behaviour because he was desperately in love with Hannie Cordier, the local schoolmistress, a tall, grey-eyed girl with a lovely slim figure and long dark hair. She was a considerable person, this Hannie. Everybody loved her to some degree because she was marvellously cheerful and sweet, a friend to everybody and someone you could generally depend on in a tight spot; they say that while she was at Port Nolloth the children actually looked forward to going to school, which of course is something of a miracle. 

This specific night of which I write (it was a Thursday in October of 1927, to be precise) Doc Meulemans was extra well-behaved because Hannie's sister Ansie was visiting her from the family farm in the Kamiesberg, and he was hell-bent on making a good impression on her, seeing that he intended before long to make his way up the Kamiesberg Pass to ask Oom Tobias Cordier for Hannie's hand in marriage. 

So Doc Meulemans had taken extra pains with his clothes (it didn't help much, since he was a bit slapdash about such things) and resisted all temptations to go off to the pub for a drink. Hannie watched all this some amusement, knowing exactly what was going on and knowing, too, that it would not make a blind bit of difference.  

Ansie, you see, was totally different from her sister, although they looked pretty much alike. Where Hannie was a tower of strength in emergencies, for example, Ansie tended to suffer fits of mild hysteria; more to the point in this particular case, Hannie had her wits about her, while Ansie was so innocent that she wouldn't have recognised the Devil if he slapped her in the face with his forked tail. Oom Tobias Cordier loved her, as he loved all his children, but he had more respect for his old dog's sagacity than Ansie's. 

Hannie was in a bit of a quandary. Doc Meulemans's efforts at impressing her were as totally wasted as they were unnecessary, because she had a very soft spot for him and didn't mind about things like baggy trousers and the need to sling back a few brandies from time to time. But this matter went beyond mere affection; Hannie was fairly sure that as soon as Ansie had left for home Doc Meulemans would not be able to stop himself from asking her to marry him, and she wasn't sure whether she should say "yes". She came from a family of tall, dignified men and strong-minded women, and she could not help but feel a little unsure about Doc Meulemans's choir-boy looks. Did he really have what it took? 

At this stage we meet the fourth actor in this story, old Klaas Bitterbos. Klaas was a full-blooded Korana from far up the Orange River, near the Katberg. Klaas had done all sorts of things in his life, most of them illegal. He had fought against the Basutos in 1880, smuggled cattle across the Bechuanaland border, been an ostrich-poacher, spent a year or two in the ferocious Breakwater Prison in Cape Town, generally misspent his life and finally washed up on Port Nolloth's shores, where he drew a small government disability pension from his army days and did odd jobs for Doc Meulemans, who could never resist befriending a likeable rogue. 

Klaas's association with Doc Meulemans had brought him to a sad pitch, to be truthful. Thanks to some minor mishap Klaas suffered a nasty cut on his leg; in other times Klaas would have doctored the cut with herbs, as he had been taught by his people in the Katberg, but having become accustomed to better things by now, he asked Doc Meulemans to doctor him like the white people. So Doc Meulemans disinfected the cut, sewed it up, bandaged it and sent Klaas home with a warning to keep it dry and not to touch the bandage.  

Klaas thanked him, went off the little cluster of shacks where he lived and promptly started removing the bandage and showing off the wound to all his admiring friends. Needless to say (given Klaas's somewhat insanitary living conditions), it was not all that long before he was back at Doc Meulemans's surgery with a flourishing case of gangrene. 

Doc Meulemans examined the horrible results of Klaas's braggadocio. "Klaas," he said sadly, "this leg of yours is rotten. I'll have to cut it off."

 "Ai, ai!" Klaas wailed. "Cut off my leg! What will become of me?" He went on like this for a while, with Ansie sniffing in sympathy, and then gave Doc Meulemans a shrewd glance. "Kleindokter," he said, "will the government give me a bigger pension?" 

"I'll speak to them, Klaas," Doc Meulemans said, "and I'll tell them you're half dead." 

"Thank you, thank you, Kleindokter," Klaas said. "When does Kleindokter want to cut my leg off?" 

"Right after lunch," Doc Meulemans said. "If we don't do it now I'll have to cut so much off that there won't be anything left of you but your eyeballs." He made Klaas comfortable on the couch in his surgery and retired to his office to eat a sandwich and bone up on amputation techniques, just to make sure he was absolutely correct on the finer points. 

Thoughtfully Hannie watched him paging through the appropriate textbook and then asked: "Have you ever cut someone's leg off?" 

"No," Doc Meulemans said, "not a live person's leg, that is. But it's simple enough, and there's a first time for everything. Of course, I'm going to need some help. Will you be my anaesthetist?" 

"Of course," Hannie said. Ansie gave a little shriek of admiration. "Hannie," she said, "you're so brave! I could never do that." 

"No, I've got something else for you to do, Ansie," said Doc Meulemans, who was now so wrapped up in reviewing surgical procedures that he had completely forgotten what a broken reed Ansie was, even at the best of times. "I want you to hold Klaas's leg while I saw through the bone." To his surprise Ansie turned as pale as death and fell into the nearest chair.

 "What's wrong with Ansie?" he asked in genuine surprise.

 "She ... er ... can't stand the sight of blood," Hannie said.

 "Well, she's not going see much blood, for Heaven's sake," Doc Meulemans said in mild exasperation. "All she has to do is hold Klaas's leg while I amputate it." 

"Don't depend on Ansie," Hannie said, fighting back a grin. "You'll end up doctoring her as well." 

"Nonsense," said Doc Meulemans, who was so full of natural self-confidence that he tended to ignore the fact that other people often were not. "She'll soon get used to it." 

"If you say so," Hannie said, and made sure that a basin of cold water, a cloth and the smelling-salts were ready to hand. 

And so after finishing the sandwich to the sound of Ansie's lamen-tations, they stretched Klaas Bitterbos out on the surgery table. Doc Meulemans put the nose-cone over his nose and Ansie started to drip chloroform on to it. After a couple of muffled complaints about the terrible smell Klaas swore loudly in Korana and drifted off to sleep. 

While all this was happening, Jack Hansen was speeding towards Port Nolloth in his new black Model A Ford, bought with the ill-gotten gains of his latest IDB transaction. Jack had had a couple of dust-cutters from his hip-flask and was in a happy mood, and so he sang.  

It was an unhappy combination of circumstances, for what Jack liked to sing when he was in his cups was love-songs, and when you sing love-songs you sometimes close your eyes from the sheer emotion of it. The result was that just around the corner from Port Nolloth Jack drove right off the road, which was not much to speak of anyway, at the precise moment that it happened to be crossing a culvert. Despite mighty wrenches at the wheel, the Model A rolled down the side of the embankment and landed on its roof, its wheels spinning uselessly, like an upturned beetle's legs waving. 

Jack crawled out, distinctly the worse for wear. There was a cut along his front hair-line, from which a copious flow of blood poured down the front of his white linen three-piece, and his left sleeve was ripped half out of its stitching. 

"Bliksem," he said, looking at the wreck of his Model A. Then he looked down at his ruined suit and decided the occasion merited something a little stronger than "bliksem". So he swore for a couple of minutes to put his mind at rest. That done, he realised that he needed medical help. The hairline cut was still bleeding, his eyes were a little blurry, his left arm did not feel too good and he could detect sundry lumps and bruises rising on his body. Fortunately he was not too far from from Doc Meulemans's combined home and surgery; he crammed his badly damaged Panama on his head and set out. 

In the meantime Doc Meulemans was experiencing some trouble in amputating Klaas Bitterbos's leg. Technically, of course, it was not a difficult operation for a graduate of the famed University of Leyden, but he was having problems with both his patient and what one might call his theatre staff.  

Klaas Bitterbos was not taking gladly to the chloroform. Every minute or two he would rear up with a grunt, pull the mask away from his face and shout loudly in Korana before Hannie managed to wrestle the mask back on to his face and press him down on the table again; this was not always easy because Klaas Bitterbos was very strong in spite of his age and his nose was so flat that the mask tended to slip off. The result was that after the third or so interruption Hannie was shaking with slightly hysterical laughter.

 With Ansie Doc Meulemans's problem was a little different. She had behaved herself well, considering the circumstances, till he had finished resecting the meagre flesh of Klaas Bitterbos's leg and had commenced to saw through the bone.  

At the first rasping draw Ansie's eyes rolled over and she began to sway. "Quick!" Doc Meulemans cried. "The smelling salts!" He dropped the saw on Klaas Bitterbos's stomach and seized Ansie, while Hannie (still holding the cone against Klaas Bitterbos's inconsiderable nose) stretched across and held the smelling-salts under Ansie's. After some snorting and sneezing Ansie recovered, Doc Meulemans picked up the saw and set to work on Klaas Bitterbos's leg again. Three strokes later Ansie's eyes rolled over again and they went through the same drop-and-grab procedure. So all in all Klaas Bitterbos's amputation took rather longer than it should have. 

However, at last it was done. The lower part of Klaas Bitterbos's leg was dumped in a bucket next to the table, the portion still attached to the aged vagabond was stitched up, and he was wheeled away to recover next door. 

"Ladies," Doc Meulemans said, "thank you very much. Now I'm going to have a stiff brandy." 

"Me, too," Ansie said. 

"Do you drink brandy, Ansie?" Hannie asked with considerable astonishment, since she had never known Ansie to take anything stronger than home-made lemonade. 

"Today I do," Ansie said firmly, wiping her brow with a shaking hand. 

At this stage the door crashed open to reveal Jack Hansen, looking as if he had lately experienced the Almighty's wrath. Ansie took one look at the bloody hulk of him and fainted in earnest this time.

 "What the hell happened to you, Jack?" Doc Meulemans asked, absent-mindedly slapping Ansie's face to bring her around.

"Rolled my bloody car," Jack said. "Sorry, Juffrou." 

"Come over here and sit on the table, Jack," Doc Meulemans said. "Look out for the blood - I've just cut off Klaas Bitterbos's leg." 

"A little more blood isn't going to make any difference to this suit," Jack said, grinning ferociously through the gore that covered his face. 

"That's what I like to hear," Doc Meulemans said. "Take off that jacket and let me get at your head." 

Jack stripped down to his shirtsleeves and sat on the end of the table, which groaned in agony under his weight, and let Doc Meulemans stitch up the cut on his head while Hannie tended to Ansie, who had woken up in the meantime and gone into hysterics before fainting again. When Doc Meulemans was finished Hannie sponged the worst of the dried blood off his face and Jack got up and put on his jacket, stuffing the severed sleeve in his side-pocket. 

"Thanks, Dokkie," he said. "What do I owe you?"    "It's on the house, Jack," Doc Meulemans said. 

Jack frowned; being an honourable crook, he did not like to leave unpaid debts littering his trail. "Well, Dokkie, is there anything I can do for you?" 

"Not right now - " Doc Meulemans began to say. Then his eye fell on the bucket in which Klaas Bitterbos's leg still stood upright with a sort of ghastly dignity. "Tell you what, I'm a little busy right now; I've got to bring Ansie back to life. Could you take Klaas's leg and bury it for me somewhere?" 

"It's a pleasure, Dokkie." Without further ado Jack tucked Klaas's leg under his arm like a swagger-stick, courteously lifted his ruined Panama to the women and walked out. 

It was Jack's intention to go to his house and bury Klaas's leg in his backyard, but half-way there he began to feel a little faint, what with the loss of blood and the blow to the head. Perhaps, he thought, he needed to stop off for a drink at the bar, which he happened to be passing at that moment. 

Jack never hesitated much between thought and deed, and without tarrying further he walked through the batwing doors and headed straight for the bar counter, completely unconscious of the effect his sudden entry had created. 

In his old age the barman, Charley Minto, liked to recall that moment.  

"There were about seven or eight blokes leaning on the bar, and I was leaning on it from the other side, and wishing they'd all bugger off so that I could close up and go home. Then suddenly the batwings crashed open and in came Jack Hansen, covered in blood, one sleeve missing from his jacket and somebody's torn-off leg tucked under his arm. `Gimme a double brandy, Charley,' he bellowed before he was two steps inside. `I've had a hard day and I'm bloody thirsty.' 

"I looked at the blokes and they looked at me, and we all came to the same conclusion. Jack was out on the spree again, and this time it was serious. Jack noticed them goggling at him and shouted: `What're you bastards looking at?' and that was the signal. Jack was looking for a fight - or maybe another fight, since he'd obviously torn one bloke to pieces already. Suddenly you had eight blokes all trying to get through the back door. Seeing it was a pretty small door and they were all pretty big, they were just about trampling one another to death." 

Jack ignored them, since he was feeling decidedly odd by now. He marched up to the counter, laid Klaas Bitterbos's leg on it and grabbed the double brandy Charley's quivering hand had poured him. He downed it, and another one Charley instantly poured, and then noticed the struggle at the back door.

 "What the hell's the matter with them?" he asked. 

"They ... er .... want a little fresh air," Charley explained, saying the first thing that came into his mind. 

"Bloody unhealthy, this time of day," Jack said. "That cold wind off the sea can kill you if you go into it from a nice warm place like this." He raised his voice. "Hey! You men want to die?" 

Given the speaker and the circumstances, this wasn't exactly the most tactful thing to say. The struggle at the door turned into a small massacre, with everyone kicking and punching and clawing; by the time Jack had downed his second double brandy they were all gone, except for one old fisherman named Dirk Dirksen, who was on the floor, out cold from a kick on the head and a good trampling. 

"Poor old bloody Dirk," Jack said sadly, because Dirk had done him a lot of favours, including lying to the police once when they were after him. "I'd better get him to Doc Meulemans." He tucked Klaas Bitterbos's leg under his left arm, and bent over Dirk. 

"I think he's dead," Charley Minto quavered. And veritably, old Dirk looked as far gone as the fish he was wont to land every day, except that in his case there wasn't even a twitch left in him. Sadly Charley Minto closed Dirk's staring eyes. "Poor old bugger," he said. 

"Ja," Jack commiserated. "He told me once he knew the dirtiest joke in the world, and promised that one day he'd tell it to me." 

"Well, he'll never tell it to you now," Charley Minto said. "And in any case, not that I want to speak ill of the dead, personally I think he was lying." 

"Dirk's not dead till Doc Meulemans says so," Jack said firmly. "Get that wheelbarrow of yours, Charley - I'm not feeling so good." 

In due course they set off down the street; a strange, not to say awe-inspiring, sight to the fearfully gazing locals: Charley Minto, still in his barman's apron; Jack Hansen, a staggering, blood-stained colossus, Klaas Bitterbos's leg clenched under his good arm; and Dirk Dirksen slumped in the wheelbarrow, his arms waggling limply on either side and his heels scratching out two wavering trails in the dust.

 

"My God, Jack," Doc Meulemans said when he opened his surgery's door. "What have you done now?" 

"Nothing, Dokkie, nothing," Jack said, sitting down with a thud and leaning his bandaged head against the door-jamb. "Old Dirk had an accident." Knowing Jack's loose interpretation of "accident", Doc Meulemans turned to Charley Minto. "True's God, Doc," Charley Minto said. "Jack just ... dropped in for a drink. Joggie Pieterse did it. He trampled old Dirk flat when they were going out the back door." 

"And now poor old Dirk's dead," Jack said, a tear that was half brandy and half shock trickling into the kloofs and valleys of his cheek. "Dead as mutton ... But I said to Charley, if there's one man who can bring old Dirk back from the dead, it's Doc Meulemans." 

"That's what he said, Doc," Charley Minto affirmed, nodding vigorously. "True's God." 

"Mmm," Jack said. "That's what I said, all right." He was beginning to sink into a strange trance-like state as the combination of his injuries and Charley Minto's double brandies began to take hold of him. 

"Bring him inside," Doc Meulemans said, feeling a little desperate but deeply moved by this blind faith in him. "If he's dead, he's dead. But I never give up without a fight." 

He and Charley manhandled old Dirk into the surgery and laid him out on the table, which was still splattered with Klaas Bitterbos's blood. Dirk lay motionless, scrawny arms dangling down off the table, his remaining teeth bared at the ceiling in the unmistakeable rictus of death.  

"Go on, Dokkie," Jack urged. Doc Meulemans looked around, straight into Jack's befuddled but trusting gaze, and dismay displaced what remained of his self-confidence, which had been seeping away since the arrival of Dirk Dirksen. Dirk looked dead, all right. In fact he looked deader than just about anyone else Doc Meulemans had ever seen. He knew what a rare and precious thing was the trust he saw in Jack's eyes. Any doctor would ... well, not kill ... but certainly go a long way to engender that sort of loyalty in his patients. And now he would have to say the cold words that would destroy it. 

Sudden rage at the unkindness of fate drove Doc Meulemans to blasphe-my, something that he had always been taught to abjure at the peril of his soul. 

"God!" he cried, smashing his fist on the table. Too late he remembered that the table was already occupied, and before he could stop himself his fist drove into Dirk's bony chest. Doc Meulemans drew back, sickened and horrified at this desecration of the dead, and turned to the others. 

"Jack," he said, and stopped, not only because he did not know what else to say but because Charley Minto was in the process of toppling over, his eyes rolling back in his head. 

"Charley - " he cried. Behind him someone choked; Jack, no doubt. Automatically he started to reach out to Charley, who was listing perilously by this time. Then Jack whispered - very loudly, since his whisper was more like a fog-horn: "Doc, look!" 

Doc Meulemans turned and nearly toppled over himself. Old Dirk's chest gave a convulsive heave, culminating in another choking gurgle, and then started to move rhythmically up and down. Behind them there was a thump as Charley Minto hit the floor, but neither Doc Meulemans nor Jack heard it. 

"You ... brought ... him ... back ... to ... life!" Jack said, still in that fog-horn whisper. He leaned over the table at the precise moment that Dirk's eyes opened. "Say something, Dirk!" he bellowed, forgetting to whisper.  

Dirk's eyes widened in terror; he had died and was floating away on a beautiful rosy cloud, he explained many years later, and then suddenly he was on earth again and all he could see was Jack's blood-spattered face, and he realised that the Devil had reeled him back like a fish from the very threshold of Heaven's gates so that Jack could kill him all over again. So Dirk did what any sensible man does when he is about to be killed for the second time: He screamed like a train-whistle and swore never to drink another drop, or look at Joggie Pieterse's wife's bosom ever again. 

He might as well have saved his newly-recovered breath. Jack was down on his knees, praying fit to shatter the window-panes, Doc Meulemans was trying to light a cigarette with a hand that persisted in jumping all over the place, and Charley Minto was still flat on his back and dead to the world. 

At this moment Hannie Cordier, who had been repairing one of Doc Meulemans's shirts next door, burst into the surgery with Ansie close on her heels. "What's going on?" she cried in understandable confusion. 

"It's a miracle!" Jack cried, remembered he was in the middle of a prayer, hastily shouted: "Amen!" and explained: "Old Dirk was dead, but Dokkie brought him back to life again! Hallelujah!" 

"Hallelujah!" Ansie echoed and burst into tears. 

Hannie turned to Doc Meulemans, who had given up trying to light his cigarette by now, and there was a light in her lovely grey eyes that had not been there before. 

"Hallelujah," Doc Meulemans whispered. He knew that in an instant everything in his life had changed. He would become a household name now, not only here in Port Nolloth but in the entire North-West Cape, perhaps even all over South Africa, and Hannie would be at his side to share in his fame. He threw away his cigarette and stepped over Charley's body, and it was as if he had suddenly grown six inches taller.  He knew just what he was going to say; the right words were in his mouth as if they had been lying there all this time, just waiting to be spoken. And so he spoke them:  

"Hannie," he said, in a voice that was at least five tones deeper than normal, "will you marry me?"  

Author’s footnote: Is there any factual basis to this well-nigh incredible tale? Well, yes. Doc Meulemans was inspired by my father, who actually practised at Port Nolloth in 1927. He really did cut the leg off Klaas Bitterbos (although this is not Bitterbos’s real name). Jack Hansen really existed, although not under this name, and what I tell about him is pretty much the truth, including the car accident, his offer to dispose of Bitterbos’s leg and the panic this caused in the pub. Hannie Cordier was my mother and her sister Ansie was my Auntie Toenie, and the story of how they operated on Bitterbos is almost exactly how it happened. But in all fairness my father proposed elsewhere and under less dramatic circumstances.

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